ClassesFor more information regarding class offerings or to set up an appointment
to meet with Mary Boyer, please contact MTB Studio or call 917-885-7450. CLASSESFoundations of Acting
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| Wednesday Evenings 6:00PM – 10:00PM January 11th - February 15th, 2012 |
Saturday Days 12:30PM – 4:30 PM January 7th - February 11th, 2012 |
| Wednesday Evenings 6:00PM – 10:00PM Feb. 22nd - March 28th, 2012 |
Saturday Days 12:30PM – 4:30PM Feb. 18th - March 24th, 2012 |
In addition to furthering the work in technique and tools (acquired in the Foundations of Acting class or from prior training at another school), actors in these classes learn to execute the most powerful and committed choices. Through partnered scene work, group exercises, and individual exercises, actors gain confidence to create more than what is on the page.
These classes challenge the actor's defense system; enable the actor to work through problems that may be holding them back. Emphasis is put on the command and flexibility of the actor's instrument.
Through the use of cameras, the actor can translate their work to screen or stage as demanded. The scene work will alternate between stage and camera to enable the student to easily translate their work from stage to screen to TV.
| Tuesday Days No current session scheduled |
Tuesday Evenings No current session scheduled |
Thursday Days 10:30am – 3:30pm January 5th - February 9th, 2012 |
Thursday Evenings 6:00pm – 11:00pm January 5th - February 9th, 2012 |
| Other Upcoming Sessions: TBA |
Other Upcoming Sessions: TBA |
Thursday Days 10:30am – 3:30pm Feb. 16th - March 22nd, 2012 |
Thursday Evenings 6:00pm – 11:00pm Feb. 16th - March 22nd, 2012 |
This class is all about becoming a "smart actor". This comprehensive course covers all aspects of the casting process and will clear up myths and misconceptions about auditioning; giving you clarity and confidence.
Subjects covered are: choosing photographers, getting the best headshots, setting up a resume, finding auditions, interviewing with casting directors and agents, choosing monologues, and executing cold and prepared readings for stage and camera.
Gain a new perspective which will make auditioning easier, less stressful, more productive, and maybe even fun!
Stop wasting your time and learn how to market yourself wisely, while honing in on those aspects of the auditioning process which are in your direct control and coming to terms with those things that are out of your control.
| Monday Evenings 6:00pm – 11:00pm January 16th - March 5th, 2012 |
Taking an Audition Technique Class is not enough! Once you have the skills necessary to give great auditions, you need to keep those skills honed. Auditioning is like a sport; you can be at the top of your game but if you don't put yourself through workouts on a constant basis, then your 'muscles' become flabby and your dexterity is undermined. This class is the perfect
follow-up to the Audition Technique Class.
That means you won't bring your 'A-Game' to the audition – and you cannot afford that these days! The field is too crowded and too competitive. This class will be the vehicle for you to keep those skills ready when you need them. Each week the student will bring in two pieces of audition material they have chosen and worked on, and present each one to Mary Boyer for critique, adjustments – and a second shot…which means you'll get a chance to work four times in each class. The student can bring in any combination of material they choose: a monologue and a cold reading, a cold reading and a prepared film reading, a film reading and a TV reading, etc. If the student chooses to do a cold reading for stage – then that will be chosen by Mary and handed to the student for a short prep time. If the student chooses to do a prepared reading (film or tv), then they should pick something that they have not seen nor worked on previously.
Recommended sites for finding scenes to audition with: Showfax.com, Casting Now, NYCasting, Actor's Connection, etc. (All of the company sites that offer a chance to meet and audition for casting folks usually have sides available for downloading.)
Book your space now! (A $30.00 deposit will be required to hold your space in class;
Payment in full due one week before the session begins. No credit or refunds for missed classes.)
| Monday Days 12:30PM – 4:00PM January 9th - January 30th, 2012 |
Tuesday Evenings 6:00PM – 11:00PM January 10th - January 31st, 2012 |
| Monday Days 12:30PM – 4:00PM Feb. 6th - Feb. 27th, 2012 |
Tuesday Evenings 6:00PM – 11:00PM Feb. 7th - Feb. 28th, 2012 |
A six-week lecture/lab series for experienced actors about stepping away from working on a specific scene in a scene study class and (instead) looking at the 'Big Picture'. In this way, the actor may better understand the relationship between script analysis, character development, and problem solving. And in doing so, help the actor to take their work in scene study (and their work 'out there') to a much higher level.
In addition to script analysis work, this course covers relaxation and preparation exercises, rehearsal tools, private character development tools (especially necessary for film and TV work – when the actor must show up with most of their work done), and problem solving tools.
A generic scene will be the vehicle for some of the work, and there is no rehearsal required outside of class.
Pre-Requisite: Participation in the Ongoing Scene Study Class OR based on an Interview/audition with Mary Boyer
| Other Upcoming Sessions: TBA |
Every actor needs a reel these days and MTB Studio can help! This class offers the solution to the Catch-22 that so many actors face: you must have a reel to show to prospective agents...but you can't get legit material to put on your reel until you get an agent! Well - MTB Studio can offer you a perfect interim solution until you book that 'big league work'. We will create an entire reel for you to start showing off to agents and casting directors.
Your reel must show what you look like on camera, show how the camera 'responds' to you, and provide several samples of your acting and your range. These pieces (snippets) should cover several different genres as well (i.e. sitcom, rom/com, drama, etc.). If it looks professional and shows you off, it doesn't have to contain 'major league credits'.
Many actors try to accomplish this on their own, but the results are frequently disappointing; this is often because the actor did not have anyone there to guide them in picking appropriate material, take a major interest in making the reel show the actor off to their best advantage, and act as an informed director and editor (to act as that third eye) which is so critical.
In this class the student will be given material that has been personally chosen by Mary Boyer to showcase the actor, work on it and rehearse it with partners under Mary's guidance, and then film it with Mary behind the camera. From there it will be edited (again under Mary's guidance) and the student will walk away with a reel that includes 3 - 5 clips that shows them off in the best possible light.
| Individual Sessions; for details contact Mary Boyer @ mtbstudio@hotmail.com |
Through work on "special characters" (i.e. characters that demand a complete transformation of the actor's voice, body, and personality) the actor is given a chance to strengthen their character development tools, as well as broaden their range and castability. Using a completely different set of tools, and working on a character the actor might never be cast in, or on material that is outside their "comfort zone", many challenges, discoveries, and delights await the actor.
This work is outside the mainstream character development work that is a part of the on-going scene study classes. It is very demanding physically and vocally and is for advanced students only. This class is only open to students that have participated in the On-Going Scene Study Classes for at least six months.
| Other Upcoming Sessions: TBA |
This class is designed to help the actor work on deep emotional colors; i.e. pain (crying on cue), anger, silliness, non-politically correct characters, etc.
| Other Upcoming Sessions: TBA |
This class is for advanced students only and is designed to give the actor the chance to work on issues such as: intimacy (physical; i.e. kissing, love-making, and just plain sex), nudity (partial and complete), etc.
| Other Upcoming Sessions: TBA |
This class covers not just the art of auditioning for commercials, but also understanding what goes into casting a commercial; information that the actor needs to know in order to be successful in this field.
This class covers topics such as auditioning for commercials vs. auditioning for stage, TV, and film; how to audition when there are no lines to say (just a 'reaction'), one word to say, one line to say, when improvisation is part of the audition, etc. The actor will work on slating, the use of cue-cards, holding props and displaying products. All of the work in this class is done on camera.
In this class the actor will be taught an approach to playing Shakespeare that will excite them, release them from the fears of 'bad Shakespeare experiences', and open up a whole new world to performing this exciting playwright.
With soliloquys and scenes as the foundation, the approach to this work will help clear up misconceptions about performing Shakespeare, enabling the actor to understand the text without drowning in what seems like a 'high school English Class lecture'. The actor will learn how to make the words personal and yet access the power of the words and bring them to life at the same time.
Our goal in this scene study class is to challenge and inspire teenage actors at all levels of experience (including beginners).
The first half of the session will be devoted to stage work designed to help the young actor begin to develop his or her craft. Personal monologues, improvisation, concentration, and relaxation exercises are used to encourage each student to bring his or her unique self to the situations and characters in scenes from plays. These exercises are also effective in developing the expression of the voice, the body, and the imagination, and improving the young actor's problem-solving skills in the work as well.
In the second half of the session, camera work will be added to broaden the young actor's scope and marketability.
This fun and empowering class is aimed at teens from ages 13 – 18 and takes place in a warm, safe, and supportive environment at the studio.
| Saturday Mornings |